恳请高手帮忙翻译（英译汉），急，谢谢好心人！

Question

两篇西方文献，急用，恳请英语高人帮忙，万分感谢！敬请人工翻译，不是用谷歌或金山译霸翻的那种，4月29日前要，再次感谢！

In the latter connection he disagrees with Croce's view that Romanticism involved a metaphysical problem derived from a loss of faith, preferring to attribute the origin of the new sensibility to new techniques in the arts. In the opinion of Croce, who in any case fails to break away in this matter from the usual method of literary historians,… the root of Romanticism qua moral phenomenon, of the “mal du siècle,” has to be sought in the borderland between an ancient, hereditary faith which had collapsed, and a new faith, the faith in new philosophical and liberal ideals which had as yet been only imperfectly and partially digested….
What could be more obvious than the attempt to trace the sources of the aberrations of a penned to a metaphysical crisis? AS an example of this, it will be remembered that literary historians, wishing to account for the rise in England of that peculiar poetical current which started with John Donne, attributed it to the collapse of the medieval conception of the world beneath the reiterated blows of newly acquired knowledge, with the undermining of dogmas which resulted.
Now, though I do not deny that such explanations are worthy of consideration, it seems to me that they account only very indirectly for particular tendencies of sensibility. At most they limit the screen on which the visions are projected, but they do not say why exactly those visions, and not others, appear. The course followed by currents of religious faith (including among these philosophy) is different from the course through which the education of sensibility is accomplished The cult of “Medusean” beauty burst forth into a fashion in the nineteenth century but isolated signs of it were not lacking even earlier, which indicate that it was a case of a sporadic germ which at a certain moment became epidemic.
The period of greatest violence may have coincided with religious crisis, but this only avails to explain the intensity, not the nature of the epidemic, which arrived at this final form by quite a different process. If, therefore, the history of ideas and ideals during the nineteenth century constitutes a necessary frame for the picture I have painted, it is a part which completes, rather than conditions, the whole; there was no obligation for me to examine it afresh, nor to deal with phenomena of other kinds, which in any case have been fully discussed by others.
需自己翻译，不是用谷歌翻译的

Answer 1

太长了吧

Answer 2

在后者的连接,他不同意c的观点,浪漫主义所涉及的问题来自于形而上,而失去信心的属性的起源的新技术,新感性的艺术。对自己的看法,在任何情况下,c未能摆脱这件事的方法从平常的文学史学家的浪漫主义的根源…,作为道德现象,”老,“嘟倒要寻求的边境地区,一个古老的、遗传的信心,并提出了一种新的倒塌了信心,信新哲学和自由的理想都不曾被也不尽完美和部分消化…。
有什麽比试图跟踪明显的色差的一个形而上学的危机吗?围作为一个例子,它会想起文学史学家,愿为英格兰的崛起,特有的诗意的电流,开始与约翰·多恩,将其归结为崩溃的中世纪的世界观之下的新近认识重申,破坏的教条所导致。
现在,虽然我不否认这样的解释是值得考虑的,在我看来,他们只对特定的倾向,非常间接的灵敏度。他们限制了最多的是在屏幕投影,但他们并不表示,到底为什么那些幻相,而不是别人,就出现了。本课程的宗教信仰,紧随其后的是电流(包括在这些哲学)是不同的教育课程的敏感性是实现“Medusean“美突然变成时装在十九世纪的迹象,但它并不是孤立的,这表明缺乏甚至更早,这是一例零星细菌而在某个时刻变得流行。
这个时期的伟大的暴力事件可能正好与宗教的危机,但这只留给解释强度、不自然的流行病,来到这最后的形式十分不同的过程。因此,如果思想的历史和理想在19世纪有必要框架构成了一幅画,我画得一样,它是一种部分完成,而不是条件下,整个;没有义务给我重新检查,来对付现象,它在任何其他案件中得到了充分的讨论。