History of Notre-Dame de Paris
{noh'-truh dahm duh pah-ree'}
The Gothic loftiness of Notre-Dame dominates the Seine and the Ile-de-la-Cité as well as the history of Paris. On the spot where this majestic cathedral now stands, the Romans had built a temple to Jupiter, which was followed by a Christian basilica and then a Romanesque church (the Cathedral of St. Etienne, founded by Childebert in 528).
aurice de Sully, bishop of Paris, decided to build a new cathedral for the expanding population, dedicated to the Virgin Mary. Although construction started in 1163, it was not completed until roughly 180 years later in about 1345. Built in an age of illiteracy, the cathedral retells the stories of the Bible in its portals, paintings, and stained glass.
On completion of the choir in 1183, work was begun on the nave and completed c.1208, followed by the west front and towers c.1225-1250. A series of chapels were added to the nave during the period 1235-50, and to the apse during 1296-1330 (Pierre de Chelles and Jean Ravy). Transept crossings were built in 1250-67 by Jean de Chelles and Pierre de Montreuil (also the architect of the Sainte-Chapelle). The six-part rib vaults and the thin elements articulating the wall are typically Early Gothic.
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{noh'-truh dahm duh pah-ree'}
The Gothic loftiness of Notre-Dame dominates the Seine and the Ile-de-la-Cité as well as the history of Paris. On the spot where this majestic cathedral now stands, the Romans had built a temple to Jupiter, which was followed by a Christian basilica and then a Romanesque church (the Cathedral of St. Etienne, founded by Childebert in 528).
aurice de Sully, bishop of Paris, decided to build a new cathedral for the expanding population, dedicated to the Virgin Mary. Although construction started in 1163, it was not completed until roughly 180 years later in about 1345. Built in an age of illiteracy, the cathedral retells the stories of the Bible in its portals, paintings, and stained glass.
On completion of the choir in 1183, work was begun on the nave and completed c.1208, followed by the west front and towers c.1225-1250. A series of chapels were added to the nave during the period 1235-50, and to the apse during 1296-1330 (Pierre de Chelles and Jean Ravy). Transept crossings were built in 1250-67 by Jean de Chelles and Pierre de Montreuil (also the architect of the Sainte-Chapelle). The six-part rib vaults and the thin elements articulating the wall are typically Early Gothic.
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åèèµæï¼http://www.discoverfrance.net/France/Cathedrals/Paris/Notre-Dame.shtml
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第1个回答 2005-12-30
The Gothic loftiness of Notre-Dame dominates the Seine and the Ile-de-la-Cité as well as the history of Paris. On the spot where this majestic cathedral now stands, the Romans had built a temple to Jupiter, which was followed by a Christian basilica and then a Romanesque church (the Cathedral of St. Etienne, founded by Childebert in 528).
Notre-Dame de Paris
seen from quai de Montebello
Maurice de Sully, bishop of Paris, decided to build a new cathedral for the expanding population, dedicated to the Virgin Mary. Although construction started in 1163, it was not completed until roughly 180 years later in about 1345. Built in an age of illiteracy, the cathedral retells the stories of the Bible in its portals, paintings, and stained glass.
On completion of the choir in 1183, work was begun on the nave and completed c.1208, followed by the west front and towers c.1225-1250. A series of chapels were added to the nave during the period 1235-50, and to the apse during 1296-1330 (Pierre de Chelles and Jean Ravy). Transept crossings were built in 1250-67 by Jean de Chelles and Pierre de Montreuil (also the architect of the Sainte-Chapelle). The six-part rib vaults and the thin elements articulating the wall are typically Early Gothic.
The appearance of the interior was radically transformed in the mid-13th century when the small clerestory windows typical of the Early Gothic style were enlarged downward and filled with High Gothic tracery. The enlargement caused the removal of the unusual triforium. Originally the interior had the four-story elevation common to many Early Gothic churches, and the triforium had large round openings instead of the normal arcades.
Frontal view
seen from the
place du Parvis.
© Archive Photos
Seen from the exterior, the building appears to be High Gothic. Notable features include the profusion of colonnettes and tracery screens, the horizontal and vertical ordering of the facades, the imposing size of the rose windows, and the delicacy of the flying buttresses.
Notre-Dame has had an eventful history over the centuries. Crusaders prayed here before leaving on their holy wars, and polyphonic music developed in the cathedral. Notre-Dame was pillaged during the French revolution, as were a number of other cathedrals throughout France (witness the beheaded saints at the Cathédrale St-Etienne in Bourges, for example): Citizens mistook statues of saints above the portals on the west front for representations of their kings, and, in the midst of their revolutionary fervor, took them down. (Some of these statues were found in the 1970s, almost two hundred years later, in the Latin Quarter.) Many of the cathedral's other treasures were either destroyed or plundered — only the great bells avoided being melted down. Revolutionaries dedicated the cathedral first to the cult of Reason, and then to the cult of the Supreme being. The church interior was used as a warehouse for the storage of food.
It was also here that Napoléon, wishing to emphasize the primacy of the state over the church, crowned himself emperor, and then crowned Joséphine, his Martinique-born wife, as his empress. (The job would normally have been done by an archbishop. Pope Pius VII, there for the occasion, raised no objections.)
During the 19th century, writer Victor Hugo and artists such as Ingres called attention to the dangerous state of disrepair into which the Cathedral had fallen, thus raising a new awareness of its artistic value. Whereas 18th-century neoclassicists had virtually ignored the creations of the Middle Ages — and had even replaced the stained glass at Notre-Dame with normal glass — the 19th-century romantics saw that remote period with new eyes and greater appreciation.
Nighttime view,
with bateaux-mouches
plying the Seine.
© 1997 Index Stock Photography
In his restoration of the cathedral (begun in 1844 and lasting 23 years), Eugène Emmanuel Viollet-le-Duc reinstated the triforium and small clerestory windows in the eastern bay of the nave. The sculpture on the west facade, badly damaged during the French Revolution, was also restored during this period.
Besides bringing new life to the rose windows and the statues, Viollet-le-Duc combined scientific research with his own very personal creative ideas and designed Notre-Dame's spire, a new feature of the building, and the sacristy. Also in the 19th century, Baron Haussmann (Napoléon III's urban planner) evicted those Parisians whose houses cluttered the Cathedral's vicinity. The houses were torn down to permit better views of the edifice.
During the Commune of 1871, the Cathedral was nearly burned by the Communards — and some accounts suggest that indeed a huge mound of chairs was set on fire in its interior. Whatever happened, Notre-Dame survived the Commune essentially unscathed.
Yet it is the art of Notre-Dame, rather than its history, that still awes. The west front contains 28 statues representing the monarchs of Judea and Israel. The three portals depict, from left to right, the Last Judgment; the Madonna and Child; St. Anne, the Virgin's mother; and Mary's youth until the birth of Jesus. The interior, with its slender, graceful columns, is impressive — there is room for as many as 6,000 worshipers. The three rose windows — to the west, north, and south — are masterful, their colors a glory to behold on a sunny day.
Painstaking
restoration work
in progress.
© 1998 Reuters Limited
All Rights Reserved.
In 1768, geographers decided that all distances in France would be measured from Notre-Dame. One hundred and seventy-six years later, when Paris was liberated during World War II, General de Gaulle rushed to the cathedral after his return, to pray in thanksgiving. In many ways, Notre-Dame was and still is the center of France.
Excavations under the parvis have revealed traces of Notre-Dame's history from Gallo-Roman times to the 19th century. Vestiges of Roman ramparts, rooms heated by hypocaust (an ancient system with underground furnaces and tile flues), medieval cellars, and the foundations of a foundling hospital are displayed, as are several fascinating photographs of the surrounding neighborhood before Baron Haussmann's renovations.
Starting in 1991, a 10 year program of general maintenance and restoration was initiated. While work continues, sections of the structure are likely to be shrouded by scaffolds.
For a look at the upper parts of the church, the river, and much of Paris, climb the 387 steps to the top of one of the towers. The south tower holds Notre-Dame's 13-ton bell, which is rung on special occasions.
Chronological History of Notre-Dame
1239:
The Crown of Thorns placed in the Cathedral by St. Louis during the construction of Sainte-Chapelle.
1302:
Philip the Fair opens the first States General.
1430:
Henri VI of England is crowned. Mary Stuart becomes Queen of France after her marriage to François II, and is crowned.
1572:
Marguerite de Valois is married to the Huguenot Henri de Navarre.
December 2, 1804:
After the anointing by Pius VII, Napoléon seizes the crown from the pontiff and crowns first himself, then Josephine.
August 26, 1944:
The Te Deum Mass celebrates the liberation of Paris. (According to some accounts the Mass was interrupted by snipping from both the internal and external galleries.)
November 12, 1970:
The Requiem Mass of General de Gaulle is held.
May 31, 1980:
After the Magnificat of this day, Pope John Paul II celebrates Mass on the parvis in front of the Cathedral.
The Crypt of Notre-Dame
At the front of Notre-Dame lies a plaza. Until the mid 60s, this site was a warren of buildings dating back to the middle ages, making it difficult to view the Cathedral in all of its glory. When the buildings were finally demolished, archeologists discovered many remains of Gallo-Roman to 19th century life.
In 1965 an excavation was begun, overseen by the "Direction des Antiquités Historiques de I'Ile de France" (M. Fleury, director) and the "Commission du Vieux Paris". A museum, the Archeological Crypt of the Parvis of Notre-Dame, was erected by the city of Paris in order to house these vestiges of earlier civilization. It is the largest structure of its type in the world (total length 118 m, beam length 12 m).
Brass strips have been imbedded in the surface of the plaza to mark the location where the streets and buildings were removed.
在google里搜索下Notre-Dame de Paris(巴黎圣母院),马上就有很多的消息
Notre-Dame de Paris
seen from quai de Montebello
Maurice de Sully, bishop of Paris, decided to build a new cathedral for the expanding population, dedicated to the Virgin Mary. Although construction started in 1163, it was not completed until roughly 180 years later in about 1345. Built in an age of illiteracy, the cathedral retells the stories of the Bible in its portals, paintings, and stained glass.
On completion of the choir in 1183, work was begun on the nave and completed c.1208, followed by the west front and towers c.1225-1250. A series of chapels were added to the nave during the period 1235-50, and to the apse during 1296-1330 (Pierre de Chelles and Jean Ravy). Transept crossings were built in 1250-67 by Jean de Chelles and Pierre de Montreuil (also the architect of the Sainte-Chapelle). The six-part rib vaults and the thin elements articulating the wall are typically Early Gothic.
The appearance of the interior was radically transformed in the mid-13th century when the small clerestory windows typical of the Early Gothic style were enlarged downward and filled with High Gothic tracery. The enlargement caused the removal of the unusual triforium. Originally the interior had the four-story elevation common to many Early Gothic churches, and the triforium had large round openings instead of the normal arcades.
Frontal view
seen from the
place du Parvis.
© Archive Photos
Seen from the exterior, the building appears to be High Gothic. Notable features include the profusion of colonnettes and tracery screens, the horizontal and vertical ordering of the facades, the imposing size of the rose windows, and the delicacy of the flying buttresses.
Notre-Dame has had an eventful history over the centuries. Crusaders prayed here before leaving on their holy wars, and polyphonic music developed in the cathedral. Notre-Dame was pillaged during the French revolution, as were a number of other cathedrals throughout France (witness the beheaded saints at the Cathédrale St-Etienne in Bourges, for example): Citizens mistook statues of saints above the portals on the west front for representations of their kings, and, in the midst of their revolutionary fervor, took them down. (Some of these statues were found in the 1970s, almost two hundred years later, in the Latin Quarter.) Many of the cathedral's other treasures were either destroyed or plundered — only the great bells avoided being melted down. Revolutionaries dedicated the cathedral first to the cult of Reason, and then to the cult of the Supreme being. The church interior was used as a warehouse for the storage of food.
It was also here that Napoléon, wishing to emphasize the primacy of the state over the church, crowned himself emperor, and then crowned Joséphine, his Martinique-born wife, as his empress. (The job would normally have been done by an archbishop. Pope Pius VII, there for the occasion, raised no objections.)
During the 19th century, writer Victor Hugo and artists such as Ingres called attention to the dangerous state of disrepair into which the Cathedral had fallen, thus raising a new awareness of its artistic value. Whereas 18th-century neoclassicists had virtually ignored the creations of the Middle Ages — and had even replaced the stained glass at Notre-Dame with normal glass — the 19th-century romantics saw that remote period with new eyes and greater appreciation.
Nighttime view,
with bateaux-mouches
plying the Seine.
© 1997 Index Stock Photography
In his restoration of the cathedral (begun in 1844 and lasting 23 years), Eugène Emmanuel Viollet-le-Duc reinstated the triforium and small clerestory windows in the eastern bay of the nave. The sculpture on the west facade, badly damaged during the French Revolution, was also restored during this period.
Besides bringing new life to the rose windows and the statues, Viollet-le-Duc combined scientific research with his own very personal creative ideas and designed Notre-Dame's spire, a new feature of the building, and the sacristy. Also in the 19th century, Baron Haussmann (Napoléon III's urban planner) evicted those Parisians whose houses cluttered the Cathedral's vicinity. The houses were torn down to permit better views of the edifice.
During the Commune of 1871, the Cathedral was nearly burned by the Communards — and some accounts suggest that indeed a huge mound of chairs was set on fire in its interior. Whatever happened, Notre-Dame survived the Commune essentially unscathed.
Yet it is the art of Notre-Dame, rather than its history, that still awes. The west front contains 28 statues representing the monarchs of Judea and Israel. The three portals depict, from left to right, the Last Judgment; the Madonna and Child; St. Anne, the Virgin's mother; and Mary's youth until the birth of Jesus. The interior, with its slender, graceful columns, is impressive — there is room for as many as 6,000 worshipers. The three rose windows — to the west, north, and south — are masterful, their colors a glory to behold on a sunny day.
Painstaking
restoration work
in progress.
© 1998 Reuters Limited
All Rights Reserved.
In 1768, geographers decided that all distances in France would be measured from Notre-Dame. One hundred and seventy-six years later, when Paris was liberated during World War II, General de Gaulle rushed to the cathedral after his return, to pray in thanksgiving. In many ways, Notre-Dame was and still is the center of France.
Excavations under the parvis have revealed traces of Notre-Dame's history from Gallo-Roman times to the 19th century. Vestiges of Roman ramparts, rooms heated by hypocaust (an ancient system with underground furnaces and tile flues), medieval cellars, and the foundations of a foundling hospital are displayed, as are several fascinating photographs of the surrounding neighborhood before Baron Haussmann's renovations.
Starting in 1991, a 10 year program of general maintenance and restoration was initiated. While work continues, sections of the structure are likely to be shrouded by scaffolds.
For a look at the upper parts of the church, the river, and much of Paris, climb the 387 steps to the top of one of the towers. The south tower holds Notre-Dame's 13-ton bell, which is rung on special occasions.
Chronological History of Notre-Dame
1239:
The Crown of Thorns placed in the Cathedral by St. Louis during the construction of Sainte-Chapelle.
1302:
Philip the Fair opens the first States General.
1430:
Henri VI of England is crowned. Mary Stuart becomes Queen of France after her marriage to François II, and is crowned.
1572:
Marguerite de Valois is married to the Huguenot Henri de Navarre.
December 2, 1804:
After the anointing by Pius VII, Napoléon seizes the crown from the pontiff and crowns first himself, then Josephine.
August 26, 1944:
The Te Deum Mass celebrates the liberation of Paris. (According to some accounts the Mass was interrupted by snipping from both the internal and external galleries.)
November 12, 1970:
The Requiem Mass of General de Gaulle is held.
May 31, 1980:
After the Magnificat of this day, Pope John Paul II celebrates Mass on the parvis in front of the Cathedral.
The Crypt of Notre-Dame
At the front of Notre-Dame lies a plaza. Until the mid 60s, this site was a warren of buildings dating back to the middle ages, making it difficult to view the Cathedral in all of its glory. When the buildings were finally demolished, archeologists discovered many remains of Gallo-Roman to 19th century life.
In 1965 an excavation was begun, overseen by the "Direction des Antiquités Historiques de I'Ile de France" (M. Fleury, director) and the "Commission du Vieux Paris". A museum, the Archeological Crypt of the Parvis of Notre-Dame, was erected by the city of Paris in order to house these vestiges of earlier civilization. It is the largest structure of its type in the world (total length 118 m, beam length 12 m).
Brass strips have been imbedded in the surface of the plaza to mark the location where the streets and buildings were removed.
在google里搜索下Notre-Dame de Paris(巴黎圣母院),马上就有很多的消息
参考资料：http://www.discoverfrance.net/France/Cathedrals/Paris/Notre-Dame.shtml
第2个回答 2005-12-30
" Notre Dame cathedral " describes is one beauty, is romantic but the again pitiful love story. Is lost abandoned by the parents humpbacked Karsy are not many, in one accidental situation by vice- Bishop Klode - the trust Rollo adoption is the adopted son, grows after lets it works as Notre Dame cathedral strike a gong again the person. West gal not many although the appearance is extremely ugly moreover has the many kinds of deformity, actually throughout maintains one nobleness, chaste heart. The elder roams about the street corner gypsy girl Chinese mugwort Lare reaches can the song friendly dance, naive appearance America moreover the heart is sincere. The very poor young poet you - the Gansu fruit tile accidentally meets one another compared to Egypt with her, and synthesized in her name husband in one accidental field. Very has the fame vice- Bishop Klode - trust Rollo, originally one to wholly absorbed to " saint duty ", but suddenly one day, he appreciates to the gypsy girl's dance, lit in his heart buries already fire the long desire. Thereupon, he by any means possible wants the Chinese mugwort Lare to reach appropriates to oneself, posed all sorts of threats to her even frames, simultaneously also did not hesitate to play with means, deceived and uses him the adopted son Karsy are not many and student Gan Guo Wa. At the same time, passes on the armed escort Chief Philippine Beese although has had the sweet and pretty fiancee actually loose purports because of the natural disposition to bribe the Chinese mugwort Lare reaches. The Chinese mugwort Lare reached falls in love Philippine Beese, this caused the trust Rollo unusual envious hatred, he took advantage of when the Chinese mugwort Lare reached with the Philippine Beese lover's rendezvous, stabbed Philippine Beese then shifts blame for the Chinese mugwort Lare reaches, coerces her by the body little, otherwise had to execute her. But, the Chinese mugwort Lare reached rejects. Shortly in any event also realized does not hold the evil attempt which the Chinese mugwort Lare reached, trust Rollo finally unexpectedly personally the lovable young girl delivers the death by hanging frame. On the other hand, Karsy are not many also admires the beautiful Chinese mugwort in private Lare reaches, but because of feels inferior but deeply buries this love in the heart. Sees girl encounters frames, west the gal not multipurpose Scheme rescued her, and let her seek asylum in the notre dame one secret room. Strikes a gong the person comforts her with extremely simple and the sincere sentiment, protects her. Soon gypsy person's leader gram Low Pan leads the audiences to attack the notre dame, the intention rescues the Chinese mugwort Lare reaches. The Philippine Beese leadership armed escort routed the gypsy person. Knows oneself the incapable resistance army Karsy not thinks Philippine Beese is rescues the girl, then let trust Rollo Lare reach the Chinese mugwort gives the Philippines Beese. Has not thought of Philippine Beese because does not dare to enrage the fiancee again announces Lare reaches the Chinese mugwort executes. When inside the grief and indignation Karsy not many accidentally discovers oneself " adoptive father " and " benefactor " far looks high hangs when sends out devil in the death by hanging above gypsy girl grin fiendishly, he understands all. Karsy were not many to that hypocrisy gets down the final decision, and personally from in the clock tower which reached to the sky pushes down trust Rollo, causes it to fall meets a cruel death. Even if so, Karsy not many also does not have can save the spouse the life, he begged executioner's agreement to hold the remains which the Chinese mugwort Lare reached, hid Lare reaches in in the Paris public cemetery cave with the Chinese mugwort together changes into the dust which the life and death relied on one another.
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Notre Dame de Paris is a Gothic cathedral on the eastern half of the Île de la Cité in Paris, France, with its main entrance to the west. It is the cathedral of Paris and the seat of the Archbishop of that city. Notre Dame de Paris is widely considered one of th...
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谁有巴黎圣母院的英文简介啊
The Gothic loftiness of Notre-Dame dominates the Seine and the Ile-de-la-Cité as well as the history of Paris. On the spot where this majestic cathedral now stands, the Romans had built a temple to Jupiter, which was followed by a Christian basilica and then a Romanesque ...
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