中英对照;
1.Alice's Adventures in Wonderland is a work of children's literature by the British mathematician and author, Reverend Charles Lutwidge Dodgson, written under the pseudonym Lewis Carroll. It tells the story of a girl named Alice who falls down a rabbit-hole into a fantasy realm populated by talking playing cards and anthropomorphic creatures.
2.《 爱丽丝漫游奇境记 》 是英国的刘易斯.卡洛尔的著作,这本书主要写了善良可爱的小女孩爱丽丝的梦中奇遇记。作者以丰富的想象力,写出了这本奇特的 《 爱丽丝漫游奇境记 》 。此外,这本书里有两个大故事。一个是 《 爱丽丝漫游奇境记 》 , 另一个是 《 爱丽斯镜中奇遇记 》 。这两个长长的故事都有一个共同的特点,那就是里面所写的东西都希奇古怪,甚至连本不该说话的东西都会说话,而且似乎是很自然的事。作者笔下的爱丽斯小姑娘心地纯洁,乐于助人,并且能面对一些希奇古怪的人或动物时神情镇定,毫无惊讶,毛骨悚然之表情,更增添小女还爱丽丝的几分勇敢,更说明她是一个遇事冷静镇定的人。在 《 爱丽丝漫游奇境记 》 和 《 爱丽丝镜中奇遇记 》 中,我更喜欢 《 爱丽丝镜中奇遇记 》 。应为我觉得 《 爱丽丝镜中奇遇记 》 的想象力更丰富多彩身不可测,所以我更喜欢 《 爱丽丝镜中奇遇记 》 。在 爱丽丝镜中奇遇记 中,我最喜欢 爱丽丝王后 这章。这样的想象虽然遥不可及,但也是一种想象,美好的想象。"Alice in Wonderland" is Britain's Lewis. Carroll's book, the book mainly to write a good little girl's dream Alice adventure in mind. To enrich the imagination of the author, wrote this strange, "Alice in Wonderland." In addition, this book has two big stories. One is the "Alice in Wonderland" and "Alice in the mirror adventure in mind." The two long stories have a common characteristic is that there are things written by Xiqiguguai, Even this should not speak of anything will always say, but it seems that it is very natural. Alice described by the author of the pure-hearted girl, ready to help others and be able to face the Xiqiguguai or when the animals looked calm, no surprise, the horrified expression, but also to add my daughter Alice was also a bit of courage, it is stated She is a calm and distress when they are calm. In "Alice in Wonderland" and "Alice in the mirror adventure in mind," I like "Alice in the mirror adventure in mind." I think it should be "Alice in the mirror adventure in mind," the more rich and colorful imagination are unpredictable, so I like "Alice in the mirror adventure in mind." Alice in the mirror adventure in mind, my favorite Queen Alice this chapter. Although such a far-fetched to imagine, but also a kind of imagination, a good imagination.
The tale is fraught with satirical allusions to Dodgson's friends and to the lessons that British schoolchildren were expected to memorize. The Wonderland described in the tale plays with logic in ways that has made the story of lasting popularity with children as well as adults.
The book is often referred to by the abbreviated title Alice in Wonderland. Some printings of this title contain both Alice's Adventures in Wonderland and its sequel Through the Looking Glass. This alternate title was popularized by the numerous film and television adaptations of the story produced over the years.
A girl named Alice is bored while on a picnic with her older sister. She finds interest in a passing white rabbit, dressed in a waistcoat and muttering "I'm late!", whom she follows down a rabbit-hole, floating down into a dream underworld of paradox, the absurd and the improbable. As she attempts to follow the rabbit, she has several misadventures. She grows to gigantic size and shrinks to a fraction of her original height; meets a group of small animals stranded in a sea of her own previously shed tears; gets trapped in the rabbit's house when she enlarges herself again; meets a baby which changes into a pig, and a cat which disappears leaving only his smile behind; goes to a never-ending tea party; plays a bizarre variation on croquet with an anthropomorphised deck of cards; goes to the shore and meets a Gryphon and a Mock Turtle; and finally attends the courtroom trial of the Knave of Hearts, who has been accused of stealing some tarts. Eventually Alice wakes up underneath a tree back with her sister.
Character allusions
The members of the boating party that first heard Carroll's tale all show up in Chapter 3 ("A Caucus-Race and a Long Tale") in one form or another. There is, of course, Alice herself, while Carroll, or Charles Dodgson, is caricatured as the Dodo. The Duck refers to Rev. Robinson Duckworth, the Lory to Lorina Liddell, and the Eaglet to Edith Liddell.
Bill the Lizard may be a play on the name of Benjamin Disraeli. One of Tenniel's illustrations in Through the Looking Glass depicts a caricature of Disraeli, wearing a paper hat, as a passenger on a train. The illustrations of the Lion and the Unicorn also bear a striking resemblance to Tenniel's Punch illustrations of Gladstone and Disraeli.
The Hatter is most likely a reference to Theophilus Carter, a furniture dealer known in Oxford for his unorthodox inventions. Tenniel apparently drew the Hatter to resemble Carter, on a suggestion of Carroll's.
The Dormouse tells a story about three little sisters named Elsie, Lacie, and Tillie. These are the Liddell sisters: Elsie is L.C. (Lorina Charlotte), Tillie is Edith (her family nickname is Matilda), and Lacie is an anagram of Alice.
The Mock Turtle speaks of a Drawling-master, "an old conger eel," that used to come once a week to teach "Drawling, Stretching, and Fainting in Coils." This is a reference to the art critic John Ruskin, who came once a week to the Liddell house to teach the children drawing, sketching, and painting in oils. (The children did, in fact, learn well; Alice Liddell, for one, produced a number of skilled watercolours.)
The Mock Turtle also sings "Turtle Soup." This is a parody of a song called "Star of the Evening, Beautiful Star," which was performed as a trio by Lorina, Alice and Edith Liddell for Lewis Carroll in the Liddell home during the same summer in which he first told the story of Alice's Adventures Under Ground (source: the diary of Lewis Carroll, August 1, 1862 entry).
Criticism
The book, although broadly and continually received in a positive light, has also caught a large amount of derision for its strange and random tone (which is also the reason so many others like it). One of the best-known critics is fantasy writer Terry Pratchett, who has openly stated that he dislikes the book [1].
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Genre: fantasy or horror?
"Children are put off by Alice’s underground adventures not because they cannot understand them; in fact, they frequently understand them too well. Indeed they often find the book a terrifying experience, rarely relieved by the comic spirit they can clearly perceive."
— Donald Rackin, Alice’s Adventures in Wonderland and Through the Looking-Glass Nonsense, Sense, and Meaning
The most common perspective on Alice's Adventures in Wonderland is that it is a whimsical fantasy. However, there is disagreement with this perspective. To a number of people, the book does not characterize whim and fantasy, but rather horror and self-sustaining Kafkesque insanity. The comedy of the book, while clearly visible, does not mitigate the fact, but rather causes it to stand out by perverse contrast.
Taken from this perspective, the novel (as well as Through the Looking-Glass) is a sinister, pernicious world characterized by persons who exist fully by a self-sustaining logic that exists without reference to outside influence, including the influence of a sane, rational, and moral mind. By this perspective, at its essence, Alice's Adventures in Wonderland is not a dream but a surreal nightmare involving loss of control, inability to communicate or reason, rampant uncontrolled change of one's self and everything around, and a total inability to gain any foundation in the world.
It is noteworthy that in both novels, people suffer for no reason. The White Rabbit has an air of deposed aristocracy, the Queen of Hearts orders executions for no reason other than her own irritation and enjoyment, the Hatter exists in a never ending tea party because he got in a fight with Time and it imprisoned him in Tuesday at 3:00, etc. Many of these are parables for the society of the time. For instance, from Through the Looking-Glass, the parable of The Walrus and the Carpenter appears to be a parable about the treatment of children and child-labor.
Thus, the very thing that produces appeal and wonder in the book for many people terrifies others. It is a world that exists in different cells, each with internally consistent rules that don't conform to any of the others, each continuing on its way with anything running from apathy to malice, and each able to persist in its state indefinitely. From a child's perspective, if one were to fall down a rabbit hole today one could easily encounter the very same terrifying Wonderland Alice did, changed in only the most vestigial of ways.
American McGee actually stated in an interview that he did a dark version of Alice because the books were dark to begin with.
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Works influenced
Main article: Works influenced by Alice in Wonderland
Alice and the rest of Wonderland continue to inspire or influence many other works of art to this day—sometimes indirectly; via the Disney movie, for example. The character of the plucky yet proper Alice has proven immensely popular and inspired similar heroines in literature and pop culture, many also named Alice in homage.
爱丽丝的仙境,是儿童文学,英国数学家和作者的工作,牧师查尔斯路德维希道吉森,笔名刘易斯卡罗尔写的。它告诉名为爱丽丝谁倒下一只兔子进入了话题纸牌和拟人化的生物群落的幻想境界洞女孩的故事。
这个故事与典故Dodgson的讽刺的朋友和学生,英国的经验教训,预计充满记忆。在仙境中的故事描述了它在这已经有子女不衰的故事以及成人的方法的逻辑。
这本书是经常提到的缩写名称爱丽丝梦游仙境。这个标题有些印刷厂都包含在仙境爱丽丝的冒险和它的续集,通过镜子。这候补标题是推广由众多电影和电视多年来产生的故事改编。
命名爱丽丝是,同时还与姐姐野餐无聊一个女孩。她正处在一个通过小白兔的兴趣,一穿着背心和嘟囔着:“我来晚了!”,被她遵循了兔子洞,浮成黑社会了矛盾的梦想,是荒谬的和不可能的。当她试图遵循兔子,她有几个一生不幸的遭遇。她长到巨大规模和缩小到她的原始高度的一小部分,满足了在一个她自己以前流泪海搁浅的小动物群;获得兔家被困她时,她再次扩大,满足了孩子的变化成一头猪和一只猫的消失,只留下他的微笑背后,去一个永无止境的茶话会上,扮演一个奇怪的槌球变化与卡片anthropomorphised甲板;去岸边并能满足狮和甲鱼;及最后出席的心,谁偷了一些挞被告克纳弗法庭审判。最终,爱丽丝醒来下与她的姐妹树回来。
字符典故
划船党的成员是第一次听到卡罗尔的故事,都显示在第3章(“一个核心,种族和一个长故事”),在这种或那种形式。还有,当然,爱丽丝自己,而卡莱尔,或查尔斯道奇森,是因为渡渡鸟讽刺。鸭子是指牧师罗宾逊达克沃斯的吸蜜鹦鹉的洛里纳利德尔和小鹰的伊迪丝利德尔。
条例草案的蜥蜴可能是在玩本杰明迪斯雷利名称。其中坦尼尔的插图中,通过镜子描绘漫画的迪斯累里,戴着纸帽,作为乘客在火车上。在狮子和独角兽的插图还承担对斯通和迪斯累里坦尼尔的冲插图惊人的相似之处。
帽匠是最有可能对西奥菲勒斯卡特,一个家具经销商在牛津著名的发明,他非正统的参考。坦尼尔显然提请匠类似于对卡特的建议,卡罗尔的。
睡鼠讲述了一个名叫梁爱诗,莱希和蒂莉三个小姐妹的故事。这是里德尔姐妹:叶锡恩是L.C. (洛里纳夏洛特),蒂莉是伊迪丝(她的家人昵称是明德),和LaCie是爱丽丝变位。
素甲鱼谈到了灰花主,“老星鳗,”这原本每周一次来教“灰花,拉伸和线圈昏厥。”这是对艺术评论家约翰罗斯金,谁开始每周一次的利德尔家教儿童绘画,素描,绘画和油参考。 (孩子们一样,事实上,好好学习;爱丽丝利德尔,一,制作了熟练的水彩画数量。)
素甲鱼还演唱的是“甲鱼汤。”这是一个被称为“黄昏,美丽之星”,这是一个由洛里纳,艾丽丝和伊迪丝利德尔三人为刘易斯卡罗尔在利德尔家表现在同一夏天,他第一次告诉星的故事一首歌模仿爱丽丝的冒险在地下(来源:刘易斯卡罗尔的,1862年8月1日生效的日记)。
批评
这本书,虽然广泛,不断以积极的眼光收到,也引起了其奇怪的语气和随机大量的嘲笑(这也是原因,使许多人喜欢它)。其中最有名的批评是幻想作家特里普拉切特,谁曾公开表示,他不喜欢这本书[1]。
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类型:幻想还是恐怖?
“孩子们推迟了爱丽丝的地下冒险,不是因为他们不明白,事实上,他们经常了解他们太清楚了。事实上,他们往往认为这本书一个可怕的经历,很少的喜剧精神,他们可以清楚地感觉到松了一口气。”
-唐纳德Rackin,爱丽丝梦游仙境,通过镜子胡说八道,意识和意义
对爱丽丝梦游仙境最常见的观点是,它是一个异想天开的幻想。然而,这种观点的分歧。为了一些人,这本书没有将突发奇想和幻想,而是恐怖和自我维持Kafkesque精神错乱。这本书的喜剧,而清晰可见,并没有缓解的事实,而是使它站在了不正当的对比。
从这个角度考虑,小说(以及通过镜子)是一个阴险的,有害的世界,人谁存在一个自我维持的逻辑,完全没有提及外界影响存在,包括建立健全的影响特点,理性和道德精神。由这个角度来看,在其本质,爱丽丝漫游奇境不是一个梦想,而是超现实的噩梦,涉及损失的控制,不能与人沟通或理由,猖獗的一个人的自我控制和周围的一切变化,总不能获得任何基础,世界。
值得注意的是,在这两部小说,人民没有理由受到影响。白兔已被废黜的一个贵族的空气,毫无理由比她自己的刺激和享受其他王后心命令处决匠这永无止境茶话会存在了,因为他在与时间的斗争,而且他被囚禁在星期二在3:00,等等,这些都是当时的社会寓言许多。例如,从通过镜子,在比喻的海象和木匠似乎是对儿童和儿童治疗劳动的寓言。
因此,恰恰是产生在许多人的上诉书,不知别人胆颤心惊。这是一个世界,在不同的细胞存在,每个内部一致的规则,不符合任何人,每个继续途中运行从冷漠到什么恶意,每个能够在它的状态保持下去。从孩子的角度,如果一个人跌倒了兔子窝今天的人们可以很容易遇到同样的恐怖爱丽丝梦游仙境一样,只有在最退化的方式改变了。
美国麦基实际上是在接受采访时表示,他的爱丽丝黑暗的版本,因为本书是黑暗的开始。
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工程影响
主条目:如作品的影响仙境
艾丽丝和其他的仙境继续激励或影响很多其他的艺术作品到今天,有时间接地通过迪斯尼电影,例如。在文学和流行文化的勇敢而正确的爱丽丝已经证明非常受欢迎和鼓舞类似的英雄性格,也有不少命名敬意爱丽丝。
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