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另外，供养菩萨均为一足蹲一足跪在高耸的莲座上。这种塑像除了甘肃敦煌石窟和山西大同华严寺以外，在国内还不多见。

佛坛的左梢间又有普贤菩萨骑像，两个菩萨胁侍，獠蛮牵着象，普贤像前有起陀和一个童子像。佛坛的右梢间是文殊菩萨骑狮像，拂林牵着狮子，两个菩萨胁侍。这和通常文殊居左，普贤居右的配置是不相同的。

殿内两梢间的极端前角，都立有护法金刚，形体魁伟，遥对而立；身披甲胄，手持宝剑，怒目而视。与我们在博物馆里看到的唐墓出土的武俑十分相似，只是比出土的武俑高大得多。

佛坛左端金刚的右侧，有一面颊丰满，袖手趺坐，大约40多岁的中年妇女塑像，形态亦宛然如生，……

此外，沿着佛殿两山墙砌台上还排列着五百罗汉塑像。据东大殿前明代嘉靖三十七年(公元1558年)十月二十三日重修佛光寺补塑罗汉碑记云，确系明代遗物。

东大殿内柱额上的几幅拱眼壁画，亦为唐代遗物。其中最为珍贵的是右次间内柱前额上的横幅。横分三组：中间一组以佛为中心，七菩萨胁侍。左右两组以菩萨为中心，其旁边又各有菩萨、天王、飞天等。壁之两端有僧俗供养人像，北面一排是披袈裟的僧徒，南面一列是袍服大冠的文官。内有一人，好像是在权衡长短，那嘴边上的胡须飘然若动，与敦煌画中的人物几乎没有两样。壁画颜色除石绿以外，都是深暗铁青色。各画像的衣纹姿态都极其流畅，具有唐代风韵，而画脸和胡须的笔法，还含有汉画的遗风

Answer 1

In addition, the Buddha are to support a full squat enough to kneel on a high-rise on Angiopteris. In addition to this statue of the Dunhuang Grottoes in Gansu Province and Datong in Shanxi Huayan Si, is also rare in China.

Buddhist altar on the left between the shoot and ride as Samantabhadra, the Bodhisattva of two paternity threat, as the leading man hunt, as Fugen before beginning a steep bank and as the child. Buddhist altar on the right side of inter-Blastophagus Manjusri is like riding a lion, a lion led brush Lin, Shi threat of the two Buddha. This is usually left home Monju, the right of abode Fugen configuration is not the same.

Hall two-Blastophagus between the extreme front, a Metropolitan King Kong law, the burly shape, standing on the remote; clad in armor, holding a sword, and glare. And we see in a museum of the Wu Tang Mu figurines unearthed are very similar, but more than the arms figurines unearthed much higher.

Buddhist altar at the extreme left of the right side of King Kong, a plump cheek, do-Fu Zuo, 40-year-old statue of middle-aged women, such as patterns also Wanran Health, ... ...

In addition, the permitted along the gable of the two characters on stage lined with statues Ocean 500. According to the East hall 37 years ago Jiajing in the Ming Dynasty (1558 AD) on October 23 For Guang Temple rebuilt fill plastic tablets Ocean cloud, is really the Ming Dynasty relic.

East hall large amount of column arch eye on the pieces of wall paintings, are also relics of the Tang Dynasty. The most precious is the right time inside the inter-column banner on the forehead. Wang divided into three groups: a group of middle-centered to the Buddha, Bodhisattva Seven Samurai threat. About two to Buddha as the center, next to the Buddha have also, the King, flying and so on. The wall at both ends of monks and laymen have support like that is put on a line north of Sha Seng Tu, south of the robes was a big crown of the civil service. There are one, seems to weigh in length, on the mouth of the beard if floating in the air moving, with the Dunhuang paintings of figures little different. In addition to the green color of the murals, Shen An iron are blue. The profile Portrait of the Yi Wen is extremely smooth, with a charm in the Tang Dynasty, and face painting and calligraphy of the beard, but also with the legacy Han Stone Carvings